ROAD TO SANGAM---THE REVIEW

Road to Sangam will remind you what is patriotism. The film is a journey of one Hasmat Bhai (Paresh Rawal) who is torn between his faithfulness towards his own community and his professional duty. Written and directed by debutant Amit Rai, Road to Sangam is a thought provoking film that will inspire you to sit up and think why people fight in the name of religion? Why people are divided on the line of religion and commuity? To what extent wily politicians can stoop to gain political mileage?

Hasmat Bhai (Paresh Rawal) is a mechanic engineer and is also the general secretary to the local Mosque Committee in Allahabad, U.P. He has been assigned the work of repairing an old Ford car. The condition of the car is bad and he and his small team starts working on it without knowing its historic significance. It was the car that transported the ashes of Mahatma Gandhi to be immersed at the Sangam (where the rivers Ganga, Yamuna and Saraswati meet). However, after a bomb blast in the city, Hamat life is going to change forever. Police pick suspects randomly for the blast and all of them happens to be Muslims youth who had no criminal background. The community decides to protest the arrest by shutting down shops. At this point of time Hasmat is in dilemma whether to continue with his work or stop his work and show his solidarity and support to his community. But after much consideration, he decides to continue to repair the car inviting much ire and ridicule from his close friends, President Nawab Kasuri (Om Puri), Maulana Qureshi (Pawan Malhotra) and his community.

Road to Sangam is Hasmat Bhai’s trials to complete the daunting task in the face of opposition and being labeled as betrayer. The path that he has chosen is laden with thorns and he must tread carefully and unwavering courage to reach his destination.

Road to Sangam is unlike any masala entertainer. But it is a film that will compel you to do some soul searching. Till date, Paresh Rawal acting is the best. He has shown what an incredible actor he is in Road to Sangam. No doubt, no one could have step in the shoes of Hasmat Bhai other than Paresh. Pavan Malhotra as the instigating Maulvi is mind blowing. His performance is too powerful to be ignored. The veteran actor, Om Puri as expected has done good acting, though he doesn’t get much scope.

If you haven’t watched Road to Sangam, I am sure you won’t mind booking your ticket right now after reading this review. Watch it and I bet you won’t regret it!


Starring : Paresh Rawal, Shaikh, Pavan Malhotra, Swati Chitnis, Masood Akhtar, Yusuf Hussain, G.P.Singh, Rajan Bhise and Tushar Gandhi
Release Date : 29th Jan, 2010
Language : Hindi

the oscar race begins

This year’s Oscar race may well lend itself to a gripping screenplay. We have a man and his former wife pitted against each other with nine nominations each for their respective films. James Cameron’s 3D extravaganza, Avatar, has netted nine nods, including those for Best Picture and Best Director. Avatar - which sunk its creator’s earlier record grossing, Oscar winning, Titanic with an earth-shattering show at the box-office - may well fly away with an attractive booty when the Academy Awards are announced later.
Facing the Goliath of a Cameron is his ex, the David of a Kathryn Bigelow, with The Hurt Locker that has grabbed nine noms as well, including Best Picture and Best Director.
Known for springing surprises, the Academy of Motion Picture Arts and Sciences may well decide to create a bit of history by putting Bigelow on the pedestal.  She is only the fourth woman to get the Best Director nod, and if she clinches the actual trophy, she will be the first among the fair (or stronger?) sex to do so.
America and the Americans are in that wonderful mood to initiate a new order. We saw that when Barack Obama was elected President. The Academy’s 6000-odd members may want to do something as remarkable, and Bigelow can be the beneficiary.
Apart from this marital drama that someone in India’s Bollywood may be tempted to turn into a Pati, Patni and Woh movie, the Woh here being Mr Oscar, the nomination screen did not have any great fireworks.
Quentin Tarantino’s Jewish fantasy, Inglorious Basterds walked away with eight nods, Best Picture and Best Director included. Jason Reitman’s Up In The Air won six – Best Picture, Best Director and Best Actor for George Clooney among them.
The question that arises now is whether the Academy’s decision last June to expand the list of best picture nominations from five to 10 has fulfilled a long standing need to open this category to diverse genres. Yes, more variety can be seen this season. Films such as A Serious Man, The Blind Side, District 9 and An Education may have found it tough to enter the Oscar arena in the past.
On the flip side, no documentary or musical or foreign language work, for example, got the nod. And, despite the longer list, Clint Eastwood’s Invictus and designer-turned-director Tom Ford’s A Single Man got the snub. Spanish master Pedro Almodovar’s Broken Embraces failed to make it, and, sadly, not even in the foreign lingo section.
The five foreign language nominees are Germany’s The White Ribbon, France’s A Prophet, Peru’s The Milk of Sorrow, Argentine’s The Secret in Their Eyes and Israel’s Ajami.
India’s Harishchandrachi Factory (in Marathi) could not make it. Neither could AR Rahman, who is now being hailed as the Mozart of Madras. Well, well, that is an enormous halo to carry.

vidya & arshad spotted

OSCAR NOMINATIONS

None of the male Best Actor Oscar nominees are featured in a big hit. Even as Crazy Heart is expanding across America and will soon open abroad, it could still be an arthouse hit -- that means it may not make more than $50 million. Ditto for A Single Man.
The Hurt Locker [ Images ] made just about $16 million in US and Canada [ Images ], and a smaller coin abroad. It could benefit largely in DVD and Blu-ray sales. Up in the Air is the most successful film in the acting category, having grossed about $150 million across the world. It could earn at least $100 million more, thanks to the Oscar nominations and the fact that it is in its early release abroad. For a film made for just about $25 million, it will be a major victory.
We take a closer look at the Best Actor and Actress nominations at the 82nd Annual Academy Awards:
Jeff Bridges [ Images ], Crazy Heart: He could be the sentimental favourite. He plays a hard drinking singer and musician, whose attachment to a young kid creates a panic situation. But it also leads to his redemption. He is shown in the film in almost every frame. Though he is mostly subtle and withdrawn, his screen presence gives the film great dynamism. This is his fifth nomination since The Last Picture Show in 1971.
George Clooney [ Images ], Up in the Air: Clooney is at his best in this movie, as a ruthless corporate downsizer whose soul is challenged by unforeseen encounters. One of the most profiled of Hollywood artists, he is also known for his liberal politics and humanitarian work, including the Haiti relief fund-raisers. He has been nominated thrice in the acting categories earlier, bagging a Best Supporting Actor win for Syriana. He has also been nominated twice in the writing and directing categories for Good Night, and Good Luck.
Colin Firth [ Images ], A Single Man: A story that centres on an English professor who -- after the sudden death of his partner about nine months ago -- tries to go about his typical day in Los Angeles. But we will soon know it is anything but a typical day. Firth is excellent in internalising the anguish and conflict as he prepares to take his depressing life in his own hands.
Morgan Freeman [ Images ], Invictus [ Images ]: A towering performance as the South African leader Nelson Mandela [ Images ], who hatches his own plan to bring some rapprochement between the newly emerged black majority and the former white rulers of the hated apartheid policy. He is at once stately, cunning and humourous in the film. This is his fifth nomination; he won a Supporting Actor Oscar for Million Dollar Baby, which was directed by Invictus' Clint Eastwood [ Images ].
Jeremy Renner [ Images ], The Hurt Locker: A breakthrough performance for an actor, who is one of the darlings of small, independent movies. Better known for his work in television films like The Unusuals, he gives a knockout performance in The Hurt Locker. That is not a small thing, considering this is a film known for its ensemble cast. He plays a seemingly reckless head of a bomb diffusing unit in Iraq, who does not care for medals or spouting patriotic lines. A masterly portrait of an enigmatic man.
Sandra Bullock [ Images ], The Blind Side: The surprise hit of the year, which has grossed $235 million in North America, was about to end its run when the Oscar nominations were announced. In the spirited and life-affirming sports drama in which a white family mentors a black athlete, she stands apart. This is her first Oscar nomination in a career spanning over two decades.
Helen Mirren [ Images ], The Last Station: The veteran of British stage, television and movies, she plays the moody and crusty wife of the visionary Russian novelist Leo Tolstoy (War and Peace), who does not understand his idealism. She is an emotional powerhouse in the film. Mirren has won an Oscar earlier for The Queen and has been popular for her work in the television serial Prime Suspect. This is her fourth nomination after The Queen, Gosford Park and The Madness of King George.
Carey Mulligan [ Images ], An Education: The British art house hit is about a teenager's difficult relationship with an older man. At 24, she is one of the youngest artists in the UK and America to win wide acclaim and a number of nominations. A big name in British theatre and and television, she exudes the pain and confidence inherent in her role in An Education. The film will be on in at least 1,000 screens worldwide in the coming week, thanks to its Oscar nominations.
Gabourey Sidibe [ Images ], Precious: Based on the Novel 'Push' by Sapphire: A first-timer, she gives a luminous performance as a young woman sexually and emotionally abused by her father, and ill-treated by her mother. This is the first acting opportunity for the actress, who studied psychology in a New York college. She is the soul of the film that hopes to win many viewers abroad where black themed films are not usually popular.
Meryl Streep [ Images ], Julie & Julia: No major award in America has not had her name on the list in more than two decades. She is unforgettable as the renowned chef and bestselling author Julia Child. Though she follows Child's mannerisms, Streep knows a blind imitation will not take the role anywhere. She has to bring out the soul of the famous chef. This is her 13th Best Actress Oscar nomination and her 16th in total. She has won for her films Kramer vs Kramer and Sophie's Choice. For a 61-year-old actress, she is very busy in major films. 
Here's a closer look at the Best Supporting Actor nominations:
Matt Damon [ Images ], Invictus: He plays the head of a South Africa [ Images ]n rugby team, once known for its racism and who strikes a friendship with the first black leader of South Africa, played by Morgan Freeman. Damon underplays his role. But he is so good at his work, we can feel the tension under his skin, as he weighs the possibility of making friends with the new South African leader. Damon has won an Oscar for writing (with Ben Affleck [ Images ]) for the hit film Good Will Hunting in 1997. He was also nominated in the Best Actor category in that psychological drama.
Woody Harrelson [ Images ], The Messenger: This is one of the least seen well-reviewed movies. The Messenger is yet another triumph for Harrelson, a fervent hemp advocate with an alternate anti-establishment lifestyle. He is also a big yoga enthusiast. In The Messenger, he plays Captain Tony Stone, an old hand at breaking the bad news to the families of soliders and army officers. This is his second Oscar nomination, following the lead nomination for his work as the controversial pornographic magazine editor in The People vs Larry Flint, in 1996.
Christopher Plummer [ Images ], The Last Station: The 80-year-old stage and cinema actor, whose hits range from The Sound of Music in 1965 to last year's animation hit Up, is nominated for his strong performance as the classic Russian writer Leo Tolstoy, whose wily wife chips at his idealism and works overtime to sabotage his efforts. This is his first Oscar nomination. He has been nominated for half a dozen Emmys, winning one for his voiceover in Madeline. He has done more than 200 television, theatre and movie roles.
Stanley Tucci [ Images ], The Lovely Bones: Many expected a nomination for his work as the supportive husband of cooking legend Julia Child in Julie & Julia, which is a success, unlike The Lovely Bones. He is very natural as the American diplomat, who is caught in political dramas -- not of his own making -- and yet never fails to back his wife's endeavors in Julie & Julia. In The Lovely Bones, he plays the murderer of a teenager. One of the busiest character actors in Hollywood, he has won two Emmys (ER, The Monk) out of half a dozen nominations.
Christoph Waltz [ Images ], Inglourious Basterds [ Images ]: The Austrian actor, who is a big name in Austrian and German television and movies, is mesmerizing as a Gestapo officer charged with hunting down Jews. Watch out for the surveillance scene in a  Paris cinema in which Joseph Goebbels is about to present his new propaganda masterpiece and the Gestapo is charged with securing the site. In a film dominated by Brad Pitt [ Images ] and other American actors, Waltz creates an immense presence.
Arthur J Pais in New York

AAMIR'S THREE IDIOTS

..Aamir Khan continues to revel in excellence..this time with "3IDIOTS"..his innovative promotion campaigns were out of box thoughts..beautifully executed to perfection..and the entire effort culminated into a roaring success of the film..it has everything..beautiful story line..tight script..adeptly directed..perfect situations..punchy dialogues..all performances par excellance..WELL DONE AAMIR..ONCE AGAIN..AND TO CAP THE YEAR GONEBY THE NEW YEAR HAS BROUGHT A PADMA BHUSHAN FROM GOVT. OF INDIA IN RECOGNITION OF HIS CINEMATIC WORK..

WHAT HAS HAPPENED TO MOVIE SUBJECT SELECTION PROCESS

These days the movie making has taken a route of mental bankruptcy,the latest being Brad Pitt's movie BENJAMIN where a a old man transforms into achild with the passage of time.This gives an indication that either we have reached asaturation point of subject selection or we have simply exhausted our power to think and use cinema as apowerful tool of social change.Or we do not wish to look for subjects which we can confidently say will make into a good cinematic material.Otherwise we need to dwell into all time classics such as "BOOK OF WISHES" which brings together oldage home occupants in contact with childrens of a school building of which has been destroyed. This simple story has been told by the director of the film in such absorbing manner that it has considered to be an alltime great movie.We need to find better value for the money, time. resources and technology we have at our disposal in the present times.

AAMIR CREATES ANOTHER HISTORY AFTER TZP

Aamir's date with Chrismas was greeted with thumping success and unending applauses.The Aamir factor and the deft changes brought in the scripting made it into a complete cinmatic drama which looked plausible and down to earth.The music of A.R.Rehman only added to lusture of the film and made it an eminently watchable picture.The music by Rehman has always had an melliflous quality about the songs and particularly about the background score which has remained a very strong point of his music. While we cannot stop praising Aamir's performance there is no denying that Asin as his ladylove has created a very, very endearing impression on the audiences.And mind you this has been achieved inspite of this movie having been made in Tamil & Telugu and the Hindi version had to meet the success benchmark set by them without altering the basic storyline and flow of the script which it did with remarkable ingenuity.So more strength to Aamir to continue to make "successful escapist cinema" for the masses and also continue his meaningful and socially relevant cinema in an commercial ambit i.e."TARE ZAMEEN PAR" which we hope will wipe out the disappointment of " LAGAN" at the OSCARS'.