Sunday, May 16, 2010

CANNES FILM FESTIVAL-2010

Cannes 2010

Cannes Film Festival 2010 live

Day four: Mike Leigh's new film kicks off the British campaign for the Palme d'Or.

Living inside the Cannes bubble

After just a few days at the world’s biggest film festival, David Gritten wonders if the rest of the world still exists

The pessimists hold court at Cannes

Leigh's new film Another Year is pessimistic - and that's how life is, he says the Cannes Film Festival.

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Cannes Reviews

Another Year, review

(UK) Dir: Mike Leigh; Starring: Jim Broadbent, Oliver Maltman, Lesley Manville, Ruth Sheen. Rating: * * * *

Wall Street: Money Never Sleeps, review

(USA) Dir: Oliver Stone; Starring: Michael Douglas, Shia LaBoeuf, Carey Mulligan. Rating: * *

Cannes Film Festival: day two

Reviews of Tournee (On Tour), Chongqing Blues, O Estranho Caso De Angelica (Angelica), Benda Bilili!

Robin Hood

Dir: Ridley Scott; Starring: Russell Crowe; Cate Blanchett; Rating: * * *

Cannes Film Festival 2010: Benda Bilili!

(FRANCE) Dir: Renaud Barret, Florent de la Tullaye; Starring: Leon ‘Ricky’ Likabu, Roger Landu, Coco Ngambali Yakata. Rating: * * * *

Cannes Film Festival 2010: Chongqing Blues

(CHINA) Dir: Wang Xiaoshuai; Starring: Fan Bingbing, Qin Hao, Wang Xueqi. Rating: * * * *

Cannes Film Festival 2010: Tournee

(FRANCE) Dir: Mathieu Amalric; Starring: Mathieu Amalric, Anne Benoît, Julie Ferrier, Julie Atlas Muz, Damien Odoul. Rating: * * * *

More Cannes News

Mulligan shines at Wall Street premiere

Carey Mulligan was the darling of Cannes at premiere of Wall Street 2: Money Never Sleeps.

The Moomins to be remade in 3D

The Moomins, the cartoon characters loved by a generation reared on 1970s television, are to be reborn in 3D.

Russell Crowe shrugs off muted Robin Hood reaction at Cannes

Hollywood’s reinvention of Robin Hood opened the Cannes Film Festival on Wednesday, with Russell Crowe hoping to turn the English folk hero’s adventures into a blockbuster franchise.

Gandalf actor Sir Ian McKellen to star in zombie drama

Sir Ian McKellen, known for his Shakespearean roles and as Gandalf in Lord of The Rings, is starring in a low-budget British zombie costume drama being showcased at the Cannes Film Festival.

Naomi Watts to play Monroe

Biopic based on a controversial book on the actress's torrid love life.

Ken Loach enters Cannes

Director doubles Britain's chances of winning Palme d'Or with late entry.

Robin Hood opens Cannes

63rd Cannes Film Festival debuts with Sir Ridley Scott's Robin Hood.

The World Cup according to Russell Crowe

Russell Crowe has tipped England as possible World Cup winners, provided they get a decent strike partner for Wayne Rooney.

KITES-THE HINDI FILM WITH HOLLYWOOD FLAVOUR

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HindiMatrimony.com/Hindi
Hiren Kotwani, Hindustan Times
Mumbai, May 15, 2010
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KitesForget the item number in Krazzy 4 and the passing appearance in Luck By Chance because they don’t count. Kites is his first release in over two years, after Jodhaa Akbar.
But the west will see Hrithik Roshan and Babara Mori on screen before we do. While the Hindi version opens in India on May 21, Brett Ratner’s English version premieres in the US on Sunday, May 16, and the film opens in the UK on May 18.

The actor, however, insists that there is no English version. “It’s the Hindi film that will be screened all over the world. Brett has only come up with a remix. He fell in love with our film, Barbara and men and came up with his own take on it. He’ll be presenting his cut to his audience and that’s going to be an added bonus for us,” explains Hrithik, adding that Ratner’s Kites will not release in India, even at a later date.

Hrithik is unperturbed that the climax and Mori’s bare-back pics were leaked out well before the release. “Every film has its own destiny,” he shrugs. “Our biggest challenge is to erase all pre-conceived notions and draw the audience into a world where you enjoy every moment. These external factors don’t matter. I just hope that the media realises that there are certain ethical boundaries that they should never transcend.”

He dismisses reports of him moving to Hollywood. Quiz him on whether Ratner’s Kites will open the doors for him to the world’s biggest film industry and he retorts, “Any good film is a stepping stone to newer avenues,” he points out. “If Bret offers me a film, I’d love to do it. But before I sign on, I have to see if I the subject works for me.”

You’ve always been keen on experimenting with roles. What kind of challenge did Kites pose?

It presented me with the opportunity to unlearn all that I had learnt in the past 10 years. I thought what I was doing was right. But somewhere, at the back of my mind, there was this nagging feeling that there was more to acting than what I was doing. Kites gave me a chance to explore. But for that, I had to let go of all that I was good at and not worry about showing my weaknesses to the world. Anurag (director Anurag Basu) wanted to make an honest film. He told me, “I know what you can do really well but Idon’t want that. I want something that you have been afraid to show.’
It was brave of you to fall in with his plans.
I looked at it this way… All that I had been doing in the pre-Kites years was like a preparation for what I had to do in this film. So I just let go and in the bargain truly enjoyed this flight as an actor. It happened during Koi… Mil Gaya too. That was the first time I didn’t know what exactly I had done during a shot. And when I viewed it on the monitor, I found a new spontaneity in my work. Gradually, these moments of spontaneity in my films increased and the initial apprehension gave way to enjoyment because I was no longer watching myself. From the first frame to the last, Kites is a film played from the heart.
There must have been differences of opinion between Anurag Basu and your dad, Rakesh Roshan, given that both have been directing for years? How did you, as an actor, balance the issues between the two?
Without differences of opinion there can never be honest teamwork. My father and I have a system in place. We have our arguments too but at the end of it, one manages to convince the other to go with what seems better for the film. There have never been any ego clashes between us, ever. And there were none with Anurag either. He is a nice man and together we managed to make an honest and a beautiful film.
From actor to singer
It didn’t matter if I sang well or not. Even if I was off-tune, it will still look cute in the film because through the song, I express my feeling for my beloved. Singing required a lot of hard work though. I trained for about two-and-half weeks.
Barbara Mori had seen films like Jodhaa Akbar to get to know you as an actor. Did you watch any of her movies too?
The first picture of hers that I saw had so much vulnerability and dignity, that I was completely bowled over by Barbara. She has a lot of sex appeal as well. And that is a lethal combination! I was certain that she would be the perfect choice for our film. She’s the best actor I’ve worked with, because I was introduced to a different approach to the art. She’s not from our little pond but from another ocean. And this new approach to acting helped me evolve as an actor. That’s why I attribute the ‘best’ word to her.
A lot has been written about your chemistry, both on and off camera. Does that bother you?
No. Why should it? What is written by one person and read by another does not concern me because I don’t know either of them. It is between them and does not involve me at all. I’m a happy man with a happy family. And Barbara is a great friend. Someone can say that I have a crooked nose. But I know my nose is straight. People will either speak the truth or lie. Either way, there is no need to react.

My grandfather (Roshan) always told me that people would always try to provoke me. If I succumbed to provocation, it would lead to my downfall. So now, if I’m walking down a road and someone refers to my father as taklu (bald), I look at him and smile, “Yes, he is bald and I love the way he looks, it’s fantastic!” May be a third person who’s heard the exchange may think I’m disgusting, I should have punched the other guy in the face for running down my father.
But this is a better way to react, don’t you agree?
May be.
But does your wife Sussane also react in the same way? It’s said that she was upset by reports of your link-up with Barbara, she walked out of your home and moved in with her parents.
My wife is a more spiritual person than I am. We are the perfect couple.
What’s next from FilmKraft after Kites?
Right now, my dad is so involved with Kites that he can’t make up his mind what to do next. But I’m hoping it will be Krrish 2.
From actor to director?
I don’t want to direct. It’s too difficult a job. I’m happy being an actor. I hope I never have to direct.
From superstar to simply daddy.
I love magic and I know a few tricks. But my sons, Hrehaan and Hridaan, are too young to understand and enjoy them. Maybe when they’re a little older, I’ll perform some magic tricks for them.
On his juniors Ranbir Kapoor, Farhan Akhtar, Abhay Deol, Imran Khan, Shahid Kapoor…
They’re all talented actors who have found themselves pretty early. That’s a good sign. Ranbir and Shahid are very conscientious. I’ve known them for quite some time now. They are good friends and I respect them as actors.

Tuesday, May 11, 2010

KITES-BRETT RATNER TREATMENT

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Arthur J Pais in New York
When Brett Ratner (inset) got ready to show Kites: The Remix to producer Rakesh Roshan and star Hrithik Roshan, along with executives from Reliance Big Pictures, the film's distributors, he was very nervous. Brett Ratner The man who directed Anthony Hopkins in Red Dragon and Jackie Chan and Chris Tucker in three Rush Hour movies, admits that he wasn't sure if the Roshans would like his version.
Among other things, the 130-minute long film had been cut down to 90 minutes. "I knew it had worked out well when I saw a big smile on Hrithik's face," he says chuckling, in an exclusive interview to Rediff.com "He said, You did an amazing thing. I did not even miss the dancing."
The Brett Ratner version will have his name above the title, as in the case of his Hollywood films. Only a small percentage of Hollywood directors have that kind of a privilege.
Ratner, one of the busiest writers, directors and producers in Hollywood whose Red Dragon, Rush Hour movies and X-Men: The Last Stand have grossed more than $1.5 billion in the last 12 years (without factoring in inflationary rate), says he was not trying to "make my own film" with the remix edition.
"I have kept the style of the film-makers," he adds. "But I did away with most of the dancing because it was making the film too long for international audiences. I also got the American score added, and improved on the sound. The film sounded too thin to me. Now, when you watch the remixed edition you will feel like you are watching a big Hollywood action film."
He says he got into making the new version of Kites many months ago when Amit Khanna, chairman, Reliance Big Pictures, came to see him in Hollywood with Rakesh Roshan.
"They showed the film to me and asked what could be done to make it appeal to non-Indian audiences," he recalls.
"Of the few Bollywood films I have seen including 3 Idiots which I liked quite a bit, I found the length was too much of a problem," he says, speaking from his Los Angeles office.
"In Indian films, everything is large. They push the drama to melodrama, the comedy becomes broad comedy. It is not wrong. But it is a cultural thing. For an international audience, I wanted to turn Kites into a more compact film. It was clear to me, Rakesh Roshan and Reliance that this film should reach an audience that does not usually see Bollywood films."
He pauses for a minute, relishing the thoughts of the first meeting. "I gave them my opinion, and next came the tricky part. They asked me if I could take up the project."

Image: Barbara Mori and Hrithik Roshan

THE SOUND OF MUSIC-THE 60'S CLASSIC AND ITS BEAUTIFUL LOCATIONS

Sunday, May 9, 2010

Wednesday, May 5, 2010

HRITHIK-BARBARA TO WALK RED CARPET AT LONDON'S LEICESTER SQUARE WEST END CINEMAS

On Tuesday, May 18, the stars of one of the most ambitious and truly international films to emerge from India, will bring a touch of Bollywood romance, Latino passion and Hollywood action-adventure to the Red Carpet in London's Leicester Square Odeon West End cinemas. On the red carpet, you'll see the who's who of the world cinema including actor Hrithik Roshan, Mexican beauty Barbara Mori, director Anurag Basu. Producer Rakesh Roshan, Hollywood director Brett Ratner, Music composer Rajesh Roshan and some renowned British celebrities who'll be heating up the proceedings in London.

Buzz up!
This is the first of the many world premieres coming from Reliance Big Pictures and what better way to kick start the proceedings from the U.K. After the biggest Bollywood premiere which took place a good three years ago where we saw the gorgeous Shilpa Shetty grace the red carpet with Anurag Basu for their film Life In a Metro, this is Basu turning big and lucky the second time in London. What's to be seen is, will Shilpa Shetty and her U.K based husband Raj Kundra be one of the many who'll be walking down the red carpet? Come May 18, we'll soon find out.


Kites is the widest ever release for any Indian film production to date and heralds a new milestone in international filmmaking. The film is directed by Anurag Basu (Life In A Metro, Gangster), one of the most forward-thinking directors to emerge from India, fearless in his vision of breaking the conventions associated with Indian filmmaking, Kites stars Bollywood heartthrob Hrithik Roshan who sets screens ablaze with the on-screen chemistry he shares with smoldering Mexican beauty, Barbara Mori, the South American screen icon who has been creating waves across the international film circuit.

Kites will be released across the UK by Reliance BIG Pictures on May 21, 2010.
Hrithik roshan and Barbara Mori in Kites...

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